In 2019, for example, the National Gallery in Berlin organized the exhibition Kampf um Sichtbarkeit.
This fact is most certainly owed to the great and seemingly growing number of projects, especially exhibitions, which are specifically dedicated to women artists, and which consider themselves to be contributing to raising awareness thereof. When it comes to the representation of women artists either in art historical research, in the media, or in exhibitions, the viewer and reader cannot avoid observing the inflationary use of the terms visibility and invisibility.
1_Women Artists’ In_Visibility-The Omnipresence of a Rather Old Phenomenon
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